100% on Rotten Tomatoes from 7 critics and a 94% audience score; IndieWire and Decider placed it among the strongest European crime dramas on the platform. The Wire comparison that circulated in reviews is earned by the show's sociological ambition.
Renewal: Three-season run concluded with Season 3 in October 2020. Netflix and producers confirmed no further seasons; the series resolved its central criminal arc across 24 episodes. (Netflix)
Indian OTT platforms do not publish per-title streams. This tracks reception across the run, not viewership.
| Season | Released | BollyMeter | Critics | Audience | Verdict |
|---|---|---|---|---|---|
| Season 12017 · 10 eps | 6 October 2017 | 8.5 | 100% | 7.9/10 | MUST-WATCH |
| Season 22019 · 8 eps | 22 February 2019 | 7.8 | 89% | 7.9/10 | WORTH-IT |
| Season 32020 · 6 eps | 30 October 2020 | 7.5 | 81% | n/a | WORTH-IT |
BollyAI has not watched anything. BollyAI has read everyone who has.
Rome feels almost normal until it doesn’t. A deal is talked about like paperwork, then treated like war once money and bodies start moving on the same calendar. The hour frames land, leverage, and silence as a countdown, and it makes the first rule of the series plain: in this ci
Full episode review →Rome is loud with negotiations that look like policy until someone says the wrong thing. Aureliano’s world keeps shrinking to the next hand he has to shake, and Spadino’s world keeps expanding to the next shortcut he wants to take. In the middle, the Vatican land deal stops being
Full episode review →S01E03 keeps Rome’s machine running while tightening the screws on everyone who thinks they are steering it. The hour leans into deal-making and escalation, using small betrayals and ugly favors to show that “criminal” is just one label among many. BollyAI’s read: the episode is
Full episode review →Rome always looks like it is performing for somebody. This hour begins with the kind of pressure that does not need violence to feel like violence. A deal is already moving, and the people around it behave like they are late to their own decisions. **Aureliano Adami** tries to st
Full episode review →Rome keeps changing outfits, not morals. The hour opens inside the machine again, where signatures matter more than screams and a “small” favour can be a down payment on the future. As deals tighten, **Aureliano** learns that patience is only useful when someone else’s interests
Full episode review →Rome does not sleep. It just changes hands. In this hour, the city keeps moving the way it always has, through favors that sound like solutions and deals that arrive dressed as inevitability. One wrong signature does not simply break a plan, it reroutes loyalties. Everyone in the
Full episode review →A church job turns into a Rome problem the moment the money changes hands. The hour is less about who pulls the trigger and more about who signs their name when the paperwork starts to matter. Deals get staged like rituals. People nod through meetings they do not control. And whe
Full episode review →Rome turns even grief into paperwork. A plan that was supposed to keep everyone safe starts creating new kinds of danger, because the people at the top do not fear violence. They fear exposure, and they treat exposure like a negotiable cost. In the space between an “under control
Full episode review →Rome does not “turn,” it bargains. The episode opens with deals already in motion, where promises are just another currency and every negotiation comes with a threat folded into the language. People act like they still have time. They don’t. The writing keeps tightening the geome
Full episode review →Aureliano **Adami** wakes up to the kind of silence Rome only buys for money. The day does not feel like an ending. It feels like paperwork finally catching up to violence, and everyone involved treating the fallout like another negotiable asset. **Spadino Anacleti** and his peop
Full episode review →Updated
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